'03 SC Signature Standard 5-string

Started by hieronymous, July 30, 2008, 09:07:52 AM

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hieronymous

The first soundclip from the live show I did recently - actually, it's an excerpt from the first piece we played - we were basically jamming, setting levels, and fortunately it was caught on tape: opener
 
And a few pictures:
 


 
 



hieronymous


2400wattman

Harry, I must agree with you about the Chromes sound when hit with a pick. It's one of the most pliable set of flats I've used (DR's are equally as killer!) and have great fidelity for being flats. Mind you I'm using mine on a Japanese Fender Jazz with a Badass and Seymour Duncan Quarter Pounder p/ups.  
BTW, how do you like the new T-3's as opposed to the original T-1's?

hieronymous

Yeah, I'm definitely impressed with the Chromes. I'm kind of bummed that I didn't have time to put them on my Stanley before the gig. I've got a new set of Chromes ready to go when I get the time.
 
And the Taurus 3 is awesome! I've barely begun to scratch the surface! I never owned an original set (I or II) - only used a PK-5 to trigger a Moog Little Phatty, which I really liked. I thought the T3 might be a more portable option, but it is actually very heavy and large.

hieronymous

So I have mixed down three things from the live performance. I was disappointed with both recordings - the Tascam I set out didn't capture the bass or Taurus pedals, and the video camera sound is much more balanced but is a low quality mp3 so the high end sounds terrible. So I combined them! I think it could still sound better, I hope to work with these recordings more (maybe rerecording the bass and Taurus on the Tascam recording for one song), but I thought I would post what I have come up with:
 
opening jam
 
8 Echo Dr. (anteria)
 
rays of sound
 
Here is an extended version of the opening jam, with just the camera sound to give an idea:
 
opening jam (extended)
 
The beginning was just jamming to make sure everything worked, but then we just kept playing!
 
(Message edited by hieronymous on April 23, 2010)

hieronymous

Some more flatwound funk!
 
This is just the bass track of a jam that I did with DJ TAKA today. My 5-string Stanley Clark Signature Standard with newly-strung Chromes, into an MXR M82 Bass Envelope Filter and Glockenklang Soul Head with CAJ V-COMP Tube Compressor in the effects loop - recorded direct into Tascam DR-1 recorder, but who knows how much effect the amp and compressor had on the sound?!!! It sounds pretty overdriven, not sure if that's the MXR or the compressor getting hit a little hot.
 
I should have set the filter controls more carefully, but as usual I didn't have much rehearsal/setup time so I was flying by the seat of my pants! Mostly fingers, with some thumb/slap in the middle. Loving the Chromes! Much better than the Rotos. I videotaped it too, hopefully the audio came out half-way decent so you can hear the whole thing...
 
(Originally posted in the Flatwounds! thread...)

hieronymous

Alright, here's the full version:
 
bass and turntablism
 
DJ TAKA on turntables, hieronymous on bass. This is the audio from my Canon camcorder, with the bass track I posted earlier superimposed, since my bass amp was kind of pointed away from the camera. Glad I managed to get the recording of my bass direct!

hieronymous

New photo:
 


 
 
And new tracks:
 
first jam
 
gotantables
 
The second track is the same song as the one I posted above as bass and turntablism but a different performance, and this time everything was recorded direct. I like my performance in the original one better, but I like the sound of this one better.

hieronymous

My wife took a very cool picture of the bass:
 

 
I love the lighting and the composition of the shot. This was taken at a rehearsal for a studio session - the bass sounded great - soundclips to come?

hieronymous


hieronymous

At last, a soundclip from the Robot Envy sessions, at SoundCloud:
 
Initial Android Avarice

David Houck



hieronymous

Realized that I haven't updated this thread in a while. I've posted this elsewhere, but thought I would add it here, it's a track with fuzz (Z Vex Mastotron, plays nicely with active electronics) and low-pass filter (Moogerfooger):
 
King Cat Jam
 
And here's a couple of recent pictures:
 


 
 



mario_farufyno

Thanks buddy, I simply love ZVex fuzz tone but knew that Wholly Mammoth couldn't match Active electronics. Now that I know it can be done with the Mastotron... GAS raising up!
Not just a bass, this is an Alembic!