Another 'How do I get Phil Lesh's tone?' thread

Started by connor, August 29, 2010, 04:05:55 PM

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connor

Ok, so I'm wondering how to get Phil Lesh's tone with my current setup. It is:
 
Alembic Epic bass with flame maple top, DR Sunbeams
 
Alembic F-2B
Alembic SF-2
Eden WT-600 (used as a poweramp only)
Eden 410XLT cab
 
any help would be greatly appreciated.
 
Thanks!
Connor

bsee

Steal his fingers and technique?
 
First thing I'd do to get in the ballpark would be to find out what strings he uses and get a set. I have no idea what he is using.
 
For the benefit of the Lesh fans out there, you may have to specify a particular era to match. When a guy has been on the scene for almost half a century, chances are the tone has changed over the years.

hieronymous

Yes, definitely narrow in on what era you are talking about. Plus, use a pick! Any more than that, and I defer to the experts!

cozmik_cowboy

Yes - pick an era & research it, & use a pick.  At least early on he used Pyramid Gold flatwounds.  And get some bigger speakers.  He's mostly used 15s, some 18s - I don't remember ever hearing of him using 10s.  Then go back to childhood and study violin, switch to trumpet.......  
 
Peter
"Is not Hypnocracy no other than the aspiration to discover the meaning of Hypnocracy?  Have you heard the one about the yellow dog yet?"
St. Dilbert

"If I could explain it in prose, I wouldn't have had to write the song."
Robt. Hunter

connor

The era I'm going for is late 70's... like 1977 or 1978.

cozmik_cowboy

By '77 he was using a 3X15, a 4X12 and a 2X18.
 
Blair Jackson, Grateful Dead Gear, 170.
 
During this period [Spring '77 tour], Phil was playing his Alembic custom through an Alembic F2B preamp hooked up to a McIntosh 2300 stereo power amp driving a pair of Hard Truckers cabinets filled with Gauss speakers - one with four 15s, the other with three 12s.
 
ibid., 177.
 
Peter
"Is not Hypnocracy no other than the aspiration to discover the meaning of Hypnocracy?  Have you heard the one about the yellow dog yet?"
St. Dilbert

"If I could explain it in prose, I wouldn't have had to write the song."
Robt. Hunter

edwin

For that era I suggest trying to find some D'Addario Half-Rounds and playing with a pick. Back then I think it was a Fender Heavy, but recently Telefunken has reissued the graphite Dunlop that he's been using for the last 15 years at least (as well as Mike Gordon). I got a few from ebay and they are the real deal.
 
Edwin

benson_murrensun

I met Phil (briefly) when his book Searching For The Sound came out, and I asked him where I could get a graphite pick like the ones that I heard he uses. He reached into his pocket and gave me his pick. It was a Dunlop Stubby triangular pick: Dunlop 473R Triangle Stubby Guitar Picks, 10 bucks for a dozen at M.F. They are made of Lexan.

benson_murrensun

And now I am doubting my own veracity... After googling Telefunken graphite pick I saw some picks that look even more like the pick I got from Mr. Lesh than the Lexan ones I mentioned above. Open mouth, insert foot, deal with it.
I did try some actual graphite picks (thanks, Edwin) and like the sound better than any others I have tried. But I still don't sound like Lesh...

David Houck


sonicus

I remember when Mr. Lesh  would play on occasion with his fingers  instead of a pick  .I think I recall  seeing him play during the Alembic modified Gibson EB3 with Guild /Hagstrom pickups era. He ROARED on that Bass . It  might have been one of his most visceral periods in tone.  Think;  JACK LESH  lol !

benson_murrensun

I was watching the Festival Express movie again the other day and Phil was using the Gibson with no pick on those shows.

benson_murrensun

David,
 
Thanks for the suggestion. I tried holding the pick differently but I still didn't sound like Lesh. Imagine that. ;-)

David Houck


garth4664

how to get Phil Lesh's tone?...hmmm I'm thinking drugs, lots of drugs